nostalgia

“How promising today’s generation is. They can whip out their cellular phones like sheep, instantly take a million digital photos of their cat and then just delete them. But I’d like to see these kids try to artfully use a traditional film camera or make a super 8 home movie. Traditional film takes integrity, nostalgia, effort, patience and imagination – things that the 21st century has very little of. Everything these days, even a superior medium like film photography with an extensively vivid history and an iconic meaning, is becoming disposable in this age.” (Rebecca McNutt)

red lights

“The best way to get America back to work, and reduce our deficit, is hire all the photographers in the country, position them on street corners, and have them take pictures of all the license plates of red-light runners, who will then receive a fine and all will be fine. But wait! Nobody will run red lights, because not only are gas prices too high, but with no jobs to be late to, nobody has anywhere to go.” At even one penny, this book would be overpriced. In fact, free is too expensive, because you’d still waste time by reading it. (Jarod Kintz)

justice and mercy

“Anyone can take a picture of poverty; it’s easy to focus on the dirt and hurt of the poor. It’s much harder—and much more needful—to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.” David duChemin, Within the Frame: The Journey of Photographic Vision

let go

You think too much and I bet it kills the magic,” he says simply. “Some things are just instinct and if you try and replace that with thinking they die. You can read and think as much as you want before and after, but in the moment, man, you have to, like, let go.” (Blue GhostGhost, Art Criticism)

Bigfoot

My eyes were blurry from being in love, and my feelings were as furry as Bigfoot. I thought I spotted Her, the women of my dreams, but the other cryptozoologists thought I was hallucinating. They chided me saying, “If there is no picture, there is no proof.” (Jarod Kintz)

vulnerable

To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable. (C.S. Lewis)

I love you

I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close. (Pablo Neruda)

hanging on the walls

“I looked at the images hanging on the walls, wanting to find those things in her pictures. My favorite was directly across from me: a photo of a beaten, weathered hull of a rowboat. I knew about as much about boats as I did photography, which was next to nothing, but that boat wasn’t going anywhere near the water anytime soon unless the owner decided it would make a mediocre shipwreck to explore while scuba diving. Nevertheless, it faced the out-of-focus lake in the background, almost hopefully, as if it hadn’t yet decided its best days were gone, as if it still dreamed of bobbing peacefully on the waves. “Does that one have a name?” I asked. She smiled. “Seaworthy.” (Leesa Freeman)